Eye of the Beholder (MF, rom, bdsm, semiotics)(10/10) XXI. The ambush goes off just as I've planned, and the girl is soon safely restrained. My man, all in black, approaches with her. She wears a long scarlet gown, and her arms are bound securely behind her. "Here she is," he says, a glint of amusement in his eye. "Place her in the carriage." Though she struggles, he is too strong for her. Once he has her in the seat, I take my place beside her, and we are soon underway. She spits at me. "You will pay for this. My father will not rest until he has found me." I wipe the spittle from my mask. "You will not be found." She continues struggling but cannot get free. The mere sight of her restraint arouses me. "You think me an evil person?" "You are a kidnapper and a rapist. Your acts speak for themselves." I stop the carriage for a moment and reach for her. I take the bodice of her gown in my hands and rip it apart, exposing her breasts. She screeches in outrage, but bound as she is, she can do nothing to stop me. I smile as she struggles, for her resistance makes her breasts bounce and jiggle beautifully. "Think upon that during our journey." She is silent until we reach our destination, though she continues to glare at me. I occasionally reach over to fondle a breast or tweak a nipple as I drive. My desire is painfully hard already, but we have a long night ahead of us. I pull the carriage around behind the castle and bring it to a stop. The Mistress of the castle awaits us, and I savor the look of horror on my captive's face. "Sir! If you have one ounce of decency, you will not expose me in this fashion." "I expose you because it amuses me to do so." I exit the carriage and lift her out of her seat. Her eyes are closed and a deep flush colors her face and chest. Her breath comes in rapid gasps. I lead her down into the Dungeon, and now she begins to struggle against me again. "Sir! You cannot do this to me! I will not be treated like a common criminal!" I ignore her for the moment, carrying her into the Dungeon as the Mistress closes the door behind us. I untie her, and though her struggles resume, she is not strong enough to stop me from securing her to the manacles in the ceiling. I stand back to admire her for a moment, her pretty breasts and long blonde hair. She jerks against the manacles but cannot get free. I tear the remains of her dress from her body, leaving her naked. She shrieks in rage and humiliation. She tries to turn herself away, but there is little she can do now to stop me. "You are polluted with faulty notions of pride, Elizabeth. It is that pride I must purge from you." "What will you do with me?" "You will see." I find a mask in the rack of toys and secure it to her head. The loss of sight seems to inflame her further, and she gasps for breath as if suffocating. I touch her breast lightly, and the contact alone makes her jerk away from me in fear. I stand back to watch her dancing at the end of the chain, trying vainly to get free. She is flushed near from head to toe now, nipples fiercely erect, yet I have scarcely started. I know from the smell of her arousal that her resistance is not what it appears to be, and the scent arouses me even more. Part of me wishes to ravish her immediately, but I restrain myself as best I can. I select a paddle from the wall and approach her from behind. She has no idea where I am now or what I plan, but she clearly anticipates something. The first blow makes her cry out in pain, but I lay the second and third on her before she has any real chance to react. I continue the blows until her buttocks are red with irritation. Each time, she tries to turn away from me, tries to avoid the slap of the paddle, but she has no slack in the chain to move and can do nothing but accept my attentions. I pause for a moment, listening to her ragged breath. Her legs have failed her, and she hangs limply from the manacles. I reach out to caress her inflamed buttocks, and she jerks from the pain of contact. I circle my hand around, reaching between her legs. She whimpers at my intrusion, but does nothing to stop me. She is an inferno, so hot she almost scorches my fingers, and so wet I can scarcely feel her. The thought of it causes my erection to throb painfully. I tweak the hot button between her lips a few times and withdraw. I free her from the manacles. She drops to the floor, making no move to flee. I take her arms and drag her to the rack. She realizes what I plan now, but is too weak to resist me. In a moment or two, I have her fully restrained. The power is rushing through me now, and I lift the restraints, stretching her out on the rack. Her head hangs slackly from her neck, letting the long cascade of hair flow down behind her. I caress her buttocks gently, leaning in to kiss her neck. "Let go, Elizabeth. Let go of your pride. Pleasure is within your grasp if only you will take it." She does not answer me, so consumed by sensation is she now. I step back, selecting a narrow wooden strap from the wall. With it, I resume my torment of her helpless buttocks. She gasps at each blow, struggling weakly against her bonds. Her behind is quite red and rosy, so I relent with the flagellation. I reach between her legs again, finding her fluids almost running out of her. Her thighs are wet with her secretions, and the smell of it, hot and musky, rises into the air between us. I stroke her gently from behind, kissing her neck as before. She gasps for breath, crying out now, but before she begins to shudder in release, I withdraw my fingers. She moans in frustration, and I cannot help but smile. When I step back, she has gone completely limp. I free her from the rack, and she collapses into my arms. I carry her across the room to the bondage poles, and she does not resist me as I tie her in place, pulling her forward until her breasts hang down helplessly. I leave her like that for a moment or two, then remove her mask. Her face is dripping with sweat, and her eyes roll around, not coming to rest on me for a few moments. Again, I am awash in the need to ravage her, and I must struggle against it to maintain control. "What do you want from me?" she gasps. "I want your pride, Elizabeth. Let go of it." She stares at me, fear in her eyes, but does not respond. I return to the collection of toys and gather the items I need. The first is a phallus, which I slip into her from behind. She gasps at the penetration, trying to escape me, but cannot. "Hold on to that. Do not let it fall." I feel her trying to grip it from within. It remains in place for now. I circle around in front of her and attach a set of weights to her nipples and clitoris. Her flesh stretches out under these attentions, and her face begins to burn in mortification. I want to spank her again, but as sensitive as she is now, my hand is all that is necessary. I give her a few gentle swats, each one greeted by a sharp cry of pain and pleasure. The skin of her buttocks is taut and swollen, burning with irritation. I work the phallus in and out as I spank her, and she begins to lose control of herself. Again, I stop before the critical point, leaving her on the brink. She whimpers, squirming against the restraints. I am as close to release as she is, and I pause for a moment to calm myself. I leave the phallus in place but remove the weights. I select a riding crop from the wall and return to my captive. Her head is hanging down limply from her shoulders. "Please," she moans, "do not beat me further. Tell me what it is I must do." "All right. I will tell you what it is I desire. I want you to love me." She gasps, and her head lifts upward in alarm. I see words filling her face, but she says nothing. Using the riding crop, I begin tormenting her breasts and pubic mound. Gentle swats are enough for me now, but from her reaction, one might think I was using a barbed scourge. I work my way back behind her again, seeing that the phallus has begun to slip out. I push it back in with the end of the crop, then let the tip of it slide forward until I am tickling her clitoris. She gasps at the contact, shuddering, and I stroke her gently with the end of the crop. I pay close attention to her reactions, bringing to the edge repeatedly, but I do not let her cross it. My desire is almost painful now, and I can wait no longer. I free her from the bondage poles and carry her to the slab. She lies there limply as I restrain her. "Elizabeth." She moans. "I will release you now, should you so desire. Is that what you wish?" She whimpers. "Answer me." "No." "What is it you desire?" "Love me," she whispers. "I do." "No. Love me. Bed me. Make love to me." I free my erection and climb onto the slab above her. She is so wet now that I am inside her with scarcely any effort. She grips me with the only free muscles she has. I push forward into her, bottoming out. "Elizabeth," I moan. "I love you. I love you." I begin to ride between her thighs, my control swiftly dissolving, but it hardly matters. She is so oversensitized now that she erupts at once underneath me, crying out in painful release. I am closing in on my own climax now, near ready to burst. "Danny . . ." The sound of my other name breaks my rhythm for a moment, but I am too far gone to stop now. "Dani," I gasp. "I love you . . . I love you." I groan in release, past the point of being able to answer her. As she climaxes again, my seed rises in a torrent, passing into her in a spasm of thrusts. She whimpers under me, trying to kiss me, and I let her. We lay together, catching our breath, as the last of this experience burns within us. * * * XXII. "Well," Mistress Rebecca said. "Did we enjoy ourselves?" "Completely," Dani said. "Thank you so much." We were in the kitchen upstairs, sharing a glass of wine with the "Mistress of the castle." I was leaning against the island, and Dani was leaning back against me, too sore to sit down. She wore a loose slip dress I had brought with me. "You certainly made enough noise." I laughed. "Sorry." "It wasn't a problem. I enjoyed knowing you two were having fun." "We did." "Now that you've lost your virginity, Danny, are you ready to explore things further?" "As long as I have as eager a partner as I had tonight." I hugged Dani, and she hugged my arms. "Any time." "Did you mention my suggestion to him?" Mistress Rebecca asked. "I wanted to wait until after tonight." "What's the suggestion?" Dani turned around, linking her arms around my waist. "Do you remember how I said I didn't want the Mistress to be with us tonight, but I might later?" I took a slow breath. "Yes." "This is just an idea, because I know you don't think you're into submission, but I'd like you to at least consider it." "What?" "Submitting with me. Together. Letting the Mistress dominate us like you did tonight." It took me a second to answer her. I had never thought of that possibility. "I'm not sure I understand." Mistress Rebecca smiled. "Danny, relax. She's not talking about a threesome. She's talking about the two of you being together under my supervision. I've done this plenty of times before. Sex with me would not be involved." I suddenly saw what she meant. And though I had not seen anything arousing in submission before tonight, I realized this might be something else. I had to take a deep breath and steady myself. Dani saw my reaction and smiled. "What do you think?" "I think . . . it might be worth trying." Mistress Rebecca patted my shoulder. "Just give it some thought and get back to me. I know I would enjoy it." * * * We drove home with Dani holding my hand and leaning against my shoulder. "How did Todd react to this thing?" "Bringing me outside like that? He thought it was funny. He even helped tie me up." "I really enjoyed myself tonight. Even more than I expected." "Me too. You were wonderful. It was just like the story. I lost myself in it completely." I inhaled slowly. "Well . . . until the end." She didn't answer me immediately. "I meant what I said." "Okay. So did I." She squeezed my hand but said nothing more. * * * XXIII. "I'm impressed, Danny. This is some solid work you've done here." "Thank you." Phoebe Larson flipped through the last few pages of the draft and outline for my thesis, then set it on her desk. Outside her window, the rose bushes swayed back and forth, blown by cold December winds. "Perspective, then," she said. "Is that what it's about?" "Right. It's all about context. When kinky people talk about domination, submission, and especially resistance, they aren't using those words in the way straights understand them." "It's just a fantasy." "Well, it goes beyond that. When you say, 'it's just a fantasy,' you aren't really explaining anything because that word doesn't change the connotations of domination and submission. Straights don't get the fantasy because they have a different understanding of domination than kinky people do. To most people, domination implies that you're enforcing your will on someone else, no matter what it is that person might want. It's analogous with rape to them. That isn't what's really going on. It's the complete opposite of rape." "Go on." "'Domination' in the BDSM context has a lot of connotations. It refers to a role rather than an action. The same with 'submission.' The person who is submitting may well be the person who is completely in charge, even though they may be fantasizing that they aren't. Straights don't understand it that way. To most people, the connotation of 'submission' is giving up, giving in. In a way, a submissive is doing that, but not the way other people might understand it." "And how does erotica fit into this?" I took a breath and continued. "When you descend into a piece of BDSM fiction, the connotations change again. 'Submission' in a story generally isn't the same as 'submission' in real life, but neither is it what the standard connotation is. In the BDSM erotica context, 'submission' contains an understanding that the person submitting is enjoying it, or at least getting something out of it on some level, even though they may not be doing it willingly. Likewise with 'domination' and 'slavery' and 'humiliation' and all those other concepts you find in BDSM fiction." "I see." "At the core of all this, and this is what took me so long to understand, is the connotation of resistance." "How so?" "If you can pin down how resistance is understood in any situation, you know where you are. The understanding of resistance is what defines domination and submission." "So if it's resistance in the sense that we're just pretending, then that would mean it's real-life, whereas resistance in the sense that the person really is resisting, except that it's assumed that they will ultimately submit, that's erotica?" "Right. The understanding of resistance is at the center of BDSM. Where there is a complete absence of resistance, there's nothing to dominate and nothing to give up by submitting, no matter whether you're talking about real life or erotica. But if you inject the standard connotations of resistance into BDSM, it no longer works. Erasing this special definition of resistance erases the BDSM understanding of domination and submission. Resistance is the signifier that defines everything else. And because straights have an understanding of 'resistance' that doesn't include any of these concepts, they don't get BDSM." She smiled. "So many complications in getting off." "It goes beyond getting off. There are plenty of people in long term relationships, people truly in love, who practice BDSM." "I believe so." And I know so, I thought. But that didn't really need saying at this point. "The reason straights don't understand that is because the conventional connotations of resistance are so alien to the conventional notion of love. The BDSM connotations aren't." She nodded. "No. Apparently not." "So instead you get straights trying to psychoanalyze BDSM and read all sorts of sinister meanings into it, like low self-esteem, latent aggression, childhood sexual abuse, and all sorts of stuff like that. They don't realize that the cultures are simply speaking two different languages." She nodded again. "Good." "So I think I know where I'm going to go with this now." She picked up the outline again and turned a few pages, reading something. "This dominant you mention . . . " "Mistress Rebecca." "Is she a tall woman, with black hair and blue eyes? A lawyer? She would be about forty by now." My jaw dropped slowly. I hadn't described her at all in my discussion. "Yes." Phoebe smiled. "I think perhaps I might have known her once. You didn't happen to catch her last name?" "Powell." The smile broadened. "One of my college roommates was named Rebecca Powell. We've since lost touch, but we were close at one time." As I stared at her in amazement, the college professor sitting in front of me slowly morphed into something else. "Was she . . . ?" "Back then?" She chuckled softly. "Nothing you need to be concerned with, Danny. Let's not lose our perspective here." Life imitating art? Art imitating life? You tell me. I'd like to say, "we lived happily ever after," just like Elizabeth and the Duke, but real life is a bit more complicated than that. You can't tie up a relationship like you can tie up a story. What you can do, though, is keep writing sequels, of a sort. I'll even help start it for you: "Once upon a time, there was a submissive named Danielle, who loved her master Danny as much as she loved being tied to a rack . . ." Go on. You can take it from there. Love is quite a signifier, after all.